呐喊的蚂蚁 THE SCREAM ANT
每一个平凡，都值得被看见。 Every ordinary life deserves to be seen.
十六万颗积木，
如何让情绪有了形状。
160,000 bricks —
how a mass of tiny parts gives emotion a shape.
一只原本微不足道的工蚁，化作 2.5 米高的积木巨构，定格成一声无声的呐喊。十六万颗积木，犹如十六万份渺小，汇聚成磅礴的共鸣。
积木是「物理体素」：世间所有的宏大，皆由千千万万微小单元砌成——每一颗看似相同，却独一无二。蚁群的秩序与协作，是一套真实运转的史诗。正因每只都各司其职，方有超越个体的伟大。
那声呐喊，是一则邀请——伟大之中，有我们每一个。当你与牠对望，被看见的不只是蚂蚁，更是你习以为常、却从未真正注视的每一个平凡——牠们，都值得被世界看见。
作品实体高 2.5 米、宽 1.08 米、深 0.96 米。
A worker ant, once so insignificant as to be overlooked, is transformed into a 2.5-metre brick monolith, frozen into a silent scream. 160,000 bricks — like 160,000 fragments of smallness — converge into a resounding resonance.
Bricks are 'physical voxels': every grandeur in this world is built from countless tiny units — each one appears the same, yet is one of a kind. The order and cooperation of the ant colony is an epic that truly runs: it is precisely because each plays its part that greatness beyond the individual is born.
That scream is an invitation — within greatness, there is each of us. When you meet its gaze, what is seen is not only the ant, but every ordinary thing you take for granted yet have never truly looked at — and they all deserve to be seen by the world.
The work stands 2.5 metres high, 1.08 metres wide and 0.96 metres deep.
他们怎么看。 In their words.
DJ Liu DJ Liu
「从屏幕、教室，到一块块积木——对我而言，这不是转型，而是同一条路在不同媒介上的延续。」 "From screen to classroom to brick — for me this is not a pivot, but the same path continued through different media."
中央美术学院客座教授、博士，香港美协会员，专注 AI＋数码艺术及沉浸式互动创作的跨界创作者与研究者。深耕人工智能艺术、VR/AR 虚实互动、数码影像与游戏化艺术设计，以 AI 演算法与大数据为核心，融合科技与当代艺术美学，专注虚实结合、可互动、沉浸式的创新艺术创作。Visiting Professor at the Central Academy of Fine Arts, PhD, member of the Hong Kong Artists Association. A cross-disciplinary artist and researcher specializing in AI + digital art and immersive interactive creation. His work spans AI art, VR/AR mixed reality, digital imagery, and gamified art design — fusing technology with contemporary aesthetics through AI algorithms and big data.
曾创作「三坊七巷」、「火种 1929」、「花海」等互动设计作品，参与外交部福建全球推介活动、《香港：百年伟业》大型主题展览，以及香港文联、中国美术家协会香港会员分会、香港美协主办的《江山如画》大型联展。His interactive works include “Sanfang Qixiang,” “Spark 1929,” and “Flower Sea.” He has participated in the Ministry of Foreign Affairs’ global promotion of Fujian, the major thematic exhibition “Hong Kong: A Century of Greatness,” and the large-scale group exhibition “Landscapes as Paintings” hosted by the Hong Kong Federation of Literary and Art Circles, the CAA Hong Kong Members Branch, and the HKAA.
外界常以游戏产业先行者、教育数码化推手、艺术收藏家等标签形容他，但这些都只是切面。从任何一个标签出发，都不足以描绘完整的他。与其说 DJ 是传奇，不如说是一种长期状态：一种持续而稳定的好奇心。看电影、研究叙事；砌积木、拆解结构；欣赏艺术、感受形式与比例。驱动他跨领域持续创作的正是这份长久不变的好奇心，从游戏、教育到艺术，始终一脉相承，对叙事与哲学的思考，源源不断化为创作灵感。The world often labels him — a gaming pioneer, a driver of digital education, an art collector. Yet these are only facets. No single label can capture the whole of him. Rather than a legend, DJ is better understood as a long-term state: a continuous and stable curiosity. Watching films and studying narrative; building with bricks and taking structures apart; appreciating art and feeling form and proportion. It is this enduring curiosity that drives his cross-disciplinary creative practice — from games to education to art, a single unbroken thread, where reflection on narrative and philosophy flows ceaselessly into artistic inspiration.
下一站，上海西岸。 Next stop: West Bund, Shanghai.
展览历程 · 首展：《守正创新》—— 香港美术家庆祝中华人民共和国成立 77 周年作品展，香港中央图书馆，2026 年 9 月 24 至 30 日。Exhibition history · Debut: Upholding Fundamental Principles and Pioneering Innovation — Hong Kong Artists' Exhibition for the 77th Anniversary of the PRC, Hong Kong Central Library, 24–30 Sep 2026.
搭建纪录：
从一块块积木，到与你相遇。
The making-of:
brick by brick, until it meets you.
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Emil Chen
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